Ryszard W Kluszczynski Between the Senses. Virtual and Augmented Reality as multimedia experience
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ABSTRACT
I will discuss VR and AR as multimedia artistic experience. I will focus on the forms of immersivity in both kinds of experience: virtual and augmented. Within the scope of the investigation the role of sound in the process of organizing multisensory experience will be also examined. As the result of this exploration I will try to propose a typology of immersive experience in art. As the exemplary analyzed material I will use in particular my recent curatorial project +100: Three works that envision the emerging Avant-Garde. The project includes following works: The Shape of Things to Come (Roderick Coover, Krzysztof Wołek), Folded Maps of Time (Marek Chołoniewski, Chris Cutler), Temporary Nation (Piotr Wyrzykowski, Echo Ho).
SHORT BIO
Prof. Ryszard W. Kluszczyński, PhD, media art scholar, writer and curator.
Professor of media and cultural studies, Chair of Department of Electronic Media, University of Lodz, Poland. Professor at the Academy of Fine Arts in Lodz. He investigates the issues of new media arts and cyberculture, contemporary art theory and practices, avant-gardes and transdisciplinary cultural transformations, and recent interactions between art, science, technology and politics.
Artistic Director of Art & Science Meeting Program in the Centre for Contemporary Art in Gdansk (2011-). Curator of numerous exhibitions within the Program. Co-curator of travelling international exhibition United States of Europe (2011-2013). Curator of the Second International Biennale of Contemporary Art “Mediations”, Poznan 2010. Chief Curator of Film, Video and Multimedia Arts in the Centre for Contemporary Art – Ujazdowski Castle in Warsaw (1990-2001).
Some of his recent book publications: Augmenting the World. Masaki Fujihata and Hybrid Space-Time Art (2017); Human Traits. Patrick Tresset and the Art of Creative Machines (2016); Guy Ben-Ary: Nervoplastica. Bio-robotic Art and its Cultural Contexts (2015); Ken Feingold: Figures of Speech (2014); Meat, Metal & Code / Contestable Chimeras: Stelarc (2014); Robotic Art and Culture. Bill Vorn and His Hysterical Machines (2014).
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