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PREMIJERA 22.11.2019. @ Muzej suvremene umjetnosti, u sklopu Antisezona 19 - ples u Gorgoni

Podivljalo je opera dodira. Forma je utočište za superheroine diranja, a njihove supermoći pokreću senzoričko-senzualni Science Fiction. Jednim dijelom to je pejzaž u kojem svjetlo, prostor, zvukovi, tijela i objekti sačinjavaju različita tkiva jednog tijela osjeta, a drugim reakcija na to kako svijet u 2019. dira naša (plešuća) tijela.

Koncept i koreografija: Ana Kreitmeyer i Sonja Pregrad
Izvedba: Ana Kreitmeyer, Ana Mrak, Sonja Pregrad
Oblikovanje prostora/video: Marko Gutić Mižimakov
Dramaturgija: Nina Gojić
Glazba: Ana Horvat
Kostimi: Marcio Kerber Canabarro
Oblikovanje svjetla: Igor Pauška
Rad s glasom: Lana Hosni
Podrška: Matija Ferlin

Produkcija: Četveroruka
U sklopu Antisezone 19 - ples u Gorgoni, koja je dio Performance Situation Room / NDA Life Long Burning EU projekta
Projekt je realiziran uz financijsku podršku Ministarstva kulture RH i Grada Zagreba

“If embodiment is a precarious interplay, embodiment can also be conceived of as that which allows encounters to take place within a socio- historical (political) context, for a double-touching, an embodiment of touch, is a touching that can never take place unilaterally. Touch belongs first to an other: it comes to me from an other, already addressing itself to an other. Touch instantiates an interruption, it forces me to turn toward you, not necessarily face to face, but always skin to skin, hand to flesh, flesh to flesh. You are untouchable (inasmuch as there is a single “you”). What I touch is that untouchability. I negotiate that untouchability, that surface that cannot be penetrated, the unknown and (in)finite distance which separates me and you.
Erin Manning: The Politics of Touch

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