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LIV | Ayesha McGowen | Directors Cut

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"When I was five, I received two bicycles for Christmas. I didn’t know how to ride a bike yet, but I taught myself. I skinned both knees in the process, but I learned.

I continued riding bikes with my friends while growing up, but when I got a driver's license in high school, I stopped. My bike story picked up again in 2007, as a college student commuting to class in Boston.

It wasn’t until I got into road racing seven years later that I really noticed something: my competitors were mostly white women.

I started researching and realized that, despite a handful of black women around the world who’d made it to the pro ranks, not a single African-American women had done so. I decided I was going to be the first.

The more I dived in, the more I noticed a glaring lack of representation in the bike industry. In the posters, marketing, videos, magazines, and social media feeds of almost every cycling brand, I saw white man after white man. And when the industry finally began making space for women, it was mostly just white women.

This bothered me a lot. I knew so many other black women who were just as excited about bikes as I was. And we were spending our hard-earned dollars in an industry that didn’t even see us. I also didn’t want this to be another case of considering women of color as an afterthought.

I’m committed to making space for all our stories.

Because my story has never been mine alone. The women who saw themselves in my story have lifted me up and supported me along the way. I know I would never have made it without them.

When I couldn’t find an African-American female professional road cyclist, I decided I would become the first. It felt a lot like learning to ride a bike that first time, but this time I didn’t have to teach myself. And while I’ve lost more skin in the process, I keep learning, and I stay committed."

– Ayesha McGowan, Professional Road Cyclist, Liv Racing

Production by Venture Visuals
Produced by Sara Vanderhorn
Directed by Ryan Espinosa
Cinematography by Ryan Wermich
1st AC Nicholas Nelson
2nd AC

Edit, Color and Sound Design by Dave Phelps
Additional Editing by Channing Nunn

Shot on Location in Barcelona and Valencia, Spain

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