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Images for a Film, is a personal essay film that explores the use of photographic images. Produced in Brussels, the film explores Belgium’s Colonial past through its archival images and the images collected by the police and its Bureau des Étrangers. Informed by Alan Sekula's classic essay, The Body and the Archive, it looks to the historic scientific racism embedded in the Bertillon system of forensic photography. After interviewing an asylum seeker from Sudan, it questions the future of images with the coming facial recognition technology.

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