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Day 427

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A rough sample of both the proposed work and completed past work. FILM by Kelly Nesbitt -
Kelly Nesbitt is a performance artist, midlife warrior, and frontline worker who plays at the intersection of humor and healing. With extensive training in the field of humor, Nesbitt has been awarded grants for the creation of solo and interdisciplinary ensemble performances, toured internationally, and collaboratively produced numerous DIY community arts events since 1999. Inspired by nature, contemplative arts, practice and technique ~ Nesbitt is a body based storyteller who embodies the archetype of the fool, juxtaposes absurdities with sincerity, pathos with surreal-humor, and pratfalls with sincerity. Performance aesthetics employ recycled layered costuming, makeshift props, and superhero motifs. Film work experiments with raw facial close ups, dream sequences, and lowbrow video editing techniques for comedic effect. Audience members have described their performances as transcendentalist hilarity, utterly inexplicable, and earnestly epic.

MUSIC by Brandon Kennedy Verrett - AKA Mad Composer Lab
Kennedy is an innovative and versatile composer whose imaginative music captures beauty, bursts of melodic and rhythmic energy. His compositional vocabulary is sought after by many collaborators who seek authentic but, familiar sonorities. Kennedy’s scores can be found in a number of studio and independent productions including At The End of The Tunnel, Sightings, and This Is Us.In addition to composing, Kennedy’s orchestrations and arrangements can be found in films such as Deliver Us From Evil (Screen Gems), The Monkey King, Priest (Screen Gems), and Drag Me to Hell (Universal). His concert repertoire include String Adagio no. 6, Western Sketches for Orchestra, Songs of the Seasons, 5 is Prime : 4 is Magic, and numerous experimental works for combinations of traditional instruments and ones created by Kennedy at the Mad Composer Lab.

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