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Squid Game was „No. 1 in the world, like everywhere in the world,“ Sarandos, who is also the head of content at Netflix, said Monday at the Code conference in Los Angeles.
The Korean series is already set to be Netflix’s biggest show.
Hundreds of cash-strapped players accept a strange invitation to compete in children’s games. Inside, a tempting prize awaits with deadly high stakes. A survival game that has a whopping 45.6 billion-won prize at stake.
Walter was asked to contribute to the score by licensing some of his music through his publisher Universal Music. He was also tasked to write tracks and additional arrangements which were used in the show and in several marketing campaigns for NETFLIX’s new smash-hit series.
To capture the unnerving vibe of the series Walter employed a large selection of drums and ‚found sounds‘. From big-scale taiko drums to re-amped finger snips, no percussive instrument was too large or too small to add to a dense soundscape.
For the more etherial and atmospheric soundscapes Walter used his large scale modular synth rig. Adding vintage effects helped blend sounds and ingest an emotional component that describes the desperation of the characters in the show.
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