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“You can say what you want about the past / I think that’s true / But, not to pay attention is not to be immune / I think that’s true / It may be finished / But it isn’t over…”

We were deeply saddened by the death this past August of our friend Andrew Horn (1952-2019), director of the longtime Spectacle classic DOOMED LOVE as well as the seminal 2004 documentary THE NOMI SONG, which Andy presented alongside DOOMED LOVE and his last completed work, WE ARE TWISTED FUCKING SISTER! when he last visited New York City just a year before. At that time, Andy was working on a documentary about artist Robert Wilson’s 1970s performance enclave known as the Byrd Hoffman School of Byrds – of which he was a member, an experience which laid the groundwork for a dazzlingly rich career in the downtown scene over subsequent decades before he relocated to Berlin in 1989. Andy was relentless: beyond his exhaustively researched documentaries and Brechtian dramatic features, he was a dancer, a punctilious craftsman, a tenacious researcher, graphic designer and journalist. In the words of his longtime collaborator John Meaney, Andy had a fascination with kitsch and an admiration for Hollywood melodramas, with little interest in “realism”. A curious mixture of baroque sensibility and radical aesthetics marked his style. Andy’s love of ritual and artifice was used in his films as an acute reflection on art, and its illusions.

While Andy’s films reveal a droll and exacting mind, they’re also inseparable from a close circle of collaborators, including painters Amy Sillman and Pamela Wilson (who made the muslin backdrops of DOOMED LOVE), musicians Evan and John Lurie (of The Lounge Lizards), filmmakers Robyn Brentano and John Meaney, dancer-choreographers Kenneth King and Andrew deGroat, composer Michael Galasso (IN THE MOOD FOR LOVE) and songwriter Lenny Pickett (Tower of Power) as well as performance artist and playwright Jim Neu, who wrote DOOMED LOVE and the 1988 noir followup THE BIG BLUE. We’re thrilled to present both films as a memorial tribute, alongside a collection of newly unearthed short form works straddling Andy’s careers in theatre, dance cinema and video art.

This retrospective is possible thanks to Hisami Kuroiwa, Chris Horn, Robyn Brentano, John Meaney, Cindy Banach and Carol Mullins. Special thanks to Cindy Banach (PALM Pictures), Music Box Films, Jay Jay French and Yoram Mandel (producer of THE BIG BLUE).

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