金曲30 GMA 30 motion design tool developments

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感謝JL Design的邀請，這是我第三次參與金曲獎的典禮影像的製作。在今年的金曲30中，我主要負責開發利薩如曲線工具，以及Logo Bumper的動畫部分。

利薩如曲線是金曲30的核心設計概念，利薩如曲線工具，也是我們這次主要使用的工具之一。它被廣泛地應用在Logo Bumper、舞台設計和入圍者影片等地方。

跟金曲26不同，金曲30的利薩如曲線，因為牽扯到多個三角函數、偏移角度和比例參數，又更複雜了一點。所以我使用了簡單的Python語法，來更好地控制每個點的位置，這樣會比單純使用XPresso更方便一些。有興趣的朋友可以在Behance文章下方找到專案檔的下載連結。

除此之外，在典禮的最後關頭，我和幾位動態設計師去支援入圍者影片製作。目前大家所看到的入圍者動畫，多半是由我們重新製作的。為了減少手工處理遮罩，以及之後修改的時間，我選擇在C4D內部直接產生每條曲線的遮罩。

Thanks to JL Design, this is my third time being part of the motion design team of the Golden Melody Awards Ceremony 2019 (GMA 30). This year I am mainly responsible for the Lissajous Tool development, and the motion design of the Logo Bumper.

The Lissajous curve is the core idea of GMA 30. For this reason, the Lissajous Tool is universally used for creating animations in Logo Bumper, stage, and the nominee videos, etc.

Unlike the XPresso driven sound reacting curves of GMA 26, the Lissajous curve is a bit more complex, for including multiple trigonometric functions and many other variables for each of the three-axis. So I decided to use some python scripts rather than only using XPresso, for better controlling every point on the curve.
You can find the project file from the link below.

About two weeks before the ceremony, I and a few motion designers were sent to support the nominee videos, which were still really bad. Most of the nominee videos now are remade by us. For time-saving reasons, I developed a way to render all the required mattes for compositing right in C4D.

Logo Credit
視覺影像統籌 Creative Agency： JL DESIGN
主視覺設計 Key Visual Designer：
洪湘茹 Hsiang Ju Hung、陳施澄 Kelsie Chan、方智弘 Ivan Fang、林殷正 Yin-Cheng Lin
Logo Bumper/ Logo Loop Motion Design：
劉瓅涵 Hank Liu、高明碩 Ming-Shuo Kao、鄭盛文 Mos Zheng
利薩如曲線工具以及其他技術開發 Lissajous Curve Tool and Other Tools Developments：
劉瓅涵 Hank Liu

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