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My virtual interview with Benjamin Earl on June 29, 2021 coincided with a family conversation about a destination wedding that took place in the summer of 1980. Ben’s work at that time was centering on the Matterhorn, the beloved natural monument that punctuates the Alps that straddle Switzerland and Italy. Curiously, my Mother’s comical tale of train-hopping while 5 months pregnant led her straight up the Alps. This alignment was one of many. As I dipped into different aspects of my studio practice with Ben’s “environmental renderings” in mind, concepts seemed to overlap in myriad unexpected directions. “tran•script” began as a digital process space where the flaws of Zoom transcription and glitchy wifi might mirror the lapses in memory recollection and the re-telling of family stories over time. Digital mock-ups made connections tangible, resulting in three physical “landscapes” (sculpture) and one “reconstructed memory” (video).
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rarevaluables.net/rendering-simulations
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