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Description of the work：By studying the inherently complex and variable nature of picture compositions, this project is created to modify the objects recorded by images and the pixel scale. Personally, the original sense of images derives from medium materials similar to a rudiment. The integration of original film materials into digital images enables a convergence of the two technologies, which exudes different ways of expression. When it comes to practices, two parts would be involved. First, a chemical reaction is enabled to cancel and obscure the original image content and significance. Secondly, digital technologies are adopted to code and decode images, with images being deconstructed in programing. The decomposition of technological image “materials” enlarges the implicit ideology inside of images, before starting to view in a new visual context.

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