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Logline: An experimental, smartphone produced experience in which the viewer is presented with the duality of their own existence and the good and evil that exists in all of us.

Synopsis:
Denis Villeneuve’s surrealist feature-film “Enemy” explores the inner psychology of a man facing fear of romantic commitment by presenting the man’s doppelgänger as a symbolic representation of his inner darkness, the archetypal “shadow.”
“The Horror, The Horror,” explores the the concept of the doppelgänger.
The smartphone film is inspired by Denis Villeneuve’s surrealist feature-film “Enemy” and represent one’s deepest and darkest faults.

“The Horror, The Horror” presents its central character (name or give some context) with multiple images of himself.
Some ideal and hopeful, and some horrific and terrifying, confronting the viewer with the duality of their own existence, and the possibility within themselves for both good and evil. In addition to the symbolic visual element of reflection and the doppelgänger, the film will also incorporate elements of the metric montage, which when combined with an eerie, soundtrack creates a sense of fear and urgency . The experimental film does attempt to draw a conclusion to the issue of man’s (sic) dual existence, nor does it provide the viewer with advice or guidance regarding how to cope with such an existence. It merely acts as a demonstration of the capability of each and every person to do both great and terrible things in their lives, as represented by the imagery of reflections and doppelgängers.

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