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“Let the Right One In” is a theatrical adaptation that is based on a book by John Ajvide Lindqvist. Lindqvist’s story was adapted to cinema by the director Tomas Alfredson who takes the story not like a vampire horror but rather puts emphasis on the relationships, emotions and weaknesses of the main characters, Oskar and Ellie.

We were excited to receive an invitation from the DOT Theater team for designing the stage of “Let the Right One In” play, the theatrical adaptation of Jack Throne. As soon as we read the script, the idea of creating a dialogue between the space and performance emerged. Within the given limits of the stage we were free to reinterpret the architecture of the play.

The design intends to reinterpret the theater's stagnant stage repertoire and to articulate it as a dynamic landscape rather than a background. This dynamic landscape, as we call Oblique Land, consists of 19 different modules. These modules standing on a mesh structure, reinforced with bolted joints can be interconnected and separated from scene to scene according to the specific moments of the play.

The direction of Murat Daltaban was based on the flexibility that has been possible with this modulation as well as its exploration. Daltaban used the inclined surfaces for various type of spatial narration, such as a frozen pond, a facade or interiors in order to strengthen the feeling of the space at certain moments. Therefore the structure and the narration have an intimate contact throughout the play, beyond visible.

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