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Free download navigation, speech, construction, autonomy, archive, activism, music, writing, wtf, economy, censorship, care,... - SNEAK PEEK video and edit with RedcoolMedia movie maker MovieStudio video editor online and AudioStudio audio editor onlin

This is the free video navigation, speech, construction, autonomy, archive, activism, music, writing, wtf, economy, censorship, care,... - SNEAK PEEK that can be downloaded, played and edit with our RedcoolMedia movie maker MovieStudio free video editor online and AudioStudio free audio editor online

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Play, download and edit the free video navigation, speech, construction, autonomy, archive, activism, music, writing, wtf, economy, censorship, care,... - SNEAK PEEK.

Trailer, 2-channel video installation (featuring two facing monitors + speakers + a paper file with a written script in English)
2021
While researching on colonial entanglements and histories of Central Switzerland I came across the (around 15 boxes full of) diaries of a Swiss mercenary, Alois Wyrsch (also called „Borneo Louis“), in the historical archive of Stans. Wyrsch was in Borneo (Banjarmasin) from 1816 and returned to Switzerland in 1832, with two of his children, a son and a daughter, who’s mother was indigenous. The mother, called Johanna, Ibu Silla, or Belle was left behind or never arrived to Switzerland. The son, Alois Wyrsch II., became the first Swiss Federal Council of Color in 1974.
All the parts in the diaries where she would be mentioned are censored, cut out or blacked out, probably by himself. The reasons for the censorship can only be speculated about. This is what I‘m doing with this project: empathizing the gaps by speculating on possible biographies of „Johanna, Silla, Belle“ by means of questions and ‚scraping‘: subtractive drawing. I‘m trying to open up possibilities for her to be recognized as a multiplicity of „potentialities“ in the literal and „mental archives“. Documentary material from the archives is being more and more revealed thereby.

Given the premise that history is produced and shaped by (white) men, this larger body of work around Ibu Silla attempts to propose counternarratives, hopefully triggering and opening up some space for para-histories and multiperspectives.

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