MY NAME IS NEGAHDAR JAMALI AND I MAKE WESTERNS (Kamran Hei

VIDEO DESCRIPTION:

Play, download and edit the video MY NAME IS NEGAHDAR JAMALI AND I MAKE WESTERNS (Kamran Heidari, 2012).

MY NAME IS NEGAHDAR JAMALI AND I MAKE WESTERNS
(من نگهدار جمالی وسترن میسازم)
dir. Kamran Heidari, 2012
65 minutes. Iran.
In Farsi with English subtitles.

SUNDAY, APRIL 7 – 5 PM
THURSDAY, APRIL 18 – 10 PM
SATURDAY, APRIL 20 – 7:30 PM
SATURDAY, APRIL 27 – 10 PM

Paraphrasing a famous John Ford quote, this film profiles Negahdar Jamali, a director who lives in Shiraz and makes micro-budget Westerns in the desert outside the city. Having started out with silent Super-8 footage, living in poverty and spending all his spare money on this work, Jamali dreams of being accepted by his country’s film industry and being able to work on a much larger scale. However, the kind of movies he makes are too influenced by American culture, even if he has made sure that his Tarzan conforms to Islamic standards of modesty instead of appearing nude. Producers would prefer that he made actions films about the Iran/Iraq war, instead of setting films in Death Valley a century ago.

MY NAME IS NEGAHDAR JAMALI AND I MAKE WESTERNS falls into a tradition of reflexive Iranian movies about filmmaking and directors that includes Abbas Kiarostami’s CLOSE-UP and THROUGH THE OLIVE TREES, Mohsen Makhmalbaf’s SALAAM CINEMA, and A MOMENT OF INNOCENCE, Jafar Panahi’s THE MIRROR and most recently, Mani Haghighi’s PIG. It departs from them in that there’s very little roleplay on Heidari’s part here; the film presents itself as a Western of sorts while always remaining a documentary. MY NAME IS NEGAHDAR JAMALI AND I MAKE WESTERNS remains upbeat, even celebratory, for its first two thirds, as Jamali buys costumes for his films and talks about his plans to the camera. Then, life intrudes.

Ultimately, MY NAME IS NEGAHDAR JAMALI AND I MAKE WESTERNS strikes a more ambivalent tone than one would initially expect. Jamali has made a choice between art and his family, and he’s not very kind to his wife and son as a result. Indeed, his son calls Heidari a “fag” and “asshole,” apparently because this documentary’s project has taken so much time away from his father. In the film’s final stretch, Jamali provides pleasure to his community (he holds both rehearsals and screenings in the open air) but winds up as lonely and isolated as many heroes in American Westerns. MY NAME IS NEGAHDAR JAMALI AND I MAKE WESTERNS ends with an extreme long shot of Jamali riding alone on desert roads, to the tune of Ennio Morricone.

“His {Jamahli’s} minimalism and no-budget, semi- experimental films, like a crossover between the poorest of B westerns and Jack Smith, stands out as ultra primitive drafts of {Budd} Boetticher’s westerns, and, on the other hand, his individualism puts him is the same category as Randolph Scott’s laconic avengers.” – Ehsan Khoshbakht

Free download, play and edit video and audio from MY NAME IS NEGAHDAR JAMALI AND I MAKE WESTERNS (Kamran Heidari, 2012) using RedcoolMedia.net web apps