Last Tango In Paris - Romance And Rot
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Last Tango In Paris by Gotan Project
Marlon Brando as Paul
Maria Schneider as Jeanne
Last Tango In Paris (1972)
"Bernardo Bertolucci’s Last Tango in Paris was presented for the first time on the closing night of the New York Film Festival, October 14, 1972: that date should become a landmark in movie history comparable to May 29, 1913—the night Le Sacre du Printemps was first performed—in music history. There was no riot, and no one threw anything at the screen, but I think it’s fair to say that the audience was in a state of shock, because Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism.
The movie breakthrough has finally come. Exploitation films have been supplying mechanized sex—sex as physical stimulant but without any passion or emotional violence. The sex in Last Tango in Paris expresses the characters’ drives. Marlon Brando, as Paul, is working out his aggression on Jeanne (Maria Schneider), and the physical menace of sexuality that is emotionally charged is such a departure from everything we’ve come to expect at the movies that there was something almost like fear in the atmosphere of the party in the lobby that followed the screening. Carried along by the sustained excitement of the movie, the audience had given Bertolucci an ovation, but afterward, as individuals, they were quiet. This must be the most powerfully erotic movie ever made, and it may turn out to be the most liberating movie ever made, and so it’s probably only natural that an audience, anticipating a voluptuous feast from the man who made The Conformist, and confronted with this unexpected sexuality and the new realism it requires of the actors, should go into shock. Bertolucci and Brando have altered the face of an art form. Who was prepared for that?"
Full Review: https://bit.ly/37tYAqS
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