Experiment No.18 _Edge of Frame
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This experiment is part of a series titled Cinematic Experiments created by Margie Medlin with dance makers, Vicki Van Hout and Patrick Lucky Lartey, cinematographer Jane Castle, lighting designer, and media artist Fausto Brusamolino. The research took place as part of short residencies at FORM Dance Projects and the Creative Practice Research Unit at the University of New South Wales, in Sydney, Australia, in January 2018. Funded by the Emerging and Experimental fund of the Australia Council for the Arts.
Traversing the frame, looking at how entrances and exits create subdivisions and thus co-develop the phrasing of vocabulary.
The edge creates transitions in invisibility from one frame to another
The edge of the frame is an initiator changing the object or subject from alive, to animate, invisible and to non-existent.
The edge creates a gap between moments.
The edge creates points for entries or exits at any part of the frame.
The edge inserts anticipation into the frame.
The edge creates a continuation of what we can and can't see.
The edge of the frame separates the virtual from reality.
An edge of the frame is a point of transition, of beginnings and of endings.
The edge of frame orientates the viewer
The edge of the frame suggests a gravity
The cinema is designed to accommodate the edge of the frame.
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