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The architect and musician Malitzin Cortes, and the visual and sound artist Iván Abreu, both programmers, explore the poetic possibilities of writing and editing live code (coding) and the development of custom software for audiovisual improvisation and music algorithmic, this joint performative project defines it as live cinema coding.

For Mutek MX 2019, CNDSD revises sound explorations that include post-internet aesthetics, intricate footwork, compressed rhythms close to noise and synthetic choirs; music that is part of his next EP in the Subreal Label of Los Angeles, US. On the other hand Iván Abreu explores aesthetics of 2D and 3D generative graphics, and granular video synthesis that break down musical compositional intentions into visual gestures.

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