第三眼：相原信洋 作品選 The Third Eye: Retrospective from Nobuhiro Aihara
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1972-2008 / 96 分鐘 / DCP
1972-2008 / 96 mins / DCP
日本前衛動畫家相原信洋，自1965年創作第一部獨立動畫《雨》後，在跨越五十年的創作生涯中為後人留下了高達八十五部獨立作品，被譽為1960年代後期日本實驗電影活躍時期的一位代表人物。幸得日本戰後映像藝術文獻庫（戦後映像芸術アーカイブ）董事阪本裕文與韓國首爾國際實驗電影錄像節（서울국제실험영화페스티벌 EXiS ）藝術總監李幸俊共同策劃，放映節目《第三眼》得以在香港與觀眾見面。兩人在館藏中選出18部作品，為相原畢生創作的幾個轉捩點留下註腳，從早期將紀實錄像融合細緻的繪畫的作品《虎斑頸槽蛇》，到探索物理空間與景框內的影像空間的邊界的《石》，以及再進一步擴大他那顯赫迷幻的抽象世界的《旋轉》。觀眾可一睹相原如何透過對生活細微的觀察，透過對動畫的批判與挑戰，逐步登上迷幻動畫創作的巔峰。
Known as one of the key figures in the Japanese experimental cinema movement in late 1960’s, Japanese avant-garde animator Nobuhiro Aihara created his first independent animation Rain in 1965. Over his 50-year creative career, he left behind eighty-five independent works for his followers. Curated by Hirofumi Sakamoto, director of the Postwar Japan Moving Image Archive (PJMIA) and artistic director Hangjun Lee from the Experimental Film & Video Festival in Seoul (EXiS), screening program The Third Eye brings Aihara’s works to the Hong Kong audience for the first time. Eighteen works are selected from the collection to footnote several critical transitions in Aihara’s creative practice, from his early work Rhabdophis Tigrinus, in which he combines documentary video with intricate drawings, to Stone, in which he explores the boundaries between physical space and space within the frame and, finally, his substantial experimentation in the abstract and psychedelic world featured in Spin. Audience will have glimpses of how Aihara began his journey from subtle observation of life to his critical enquiries in animation-making, up till the peak of his psychedelic animation creation.
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票價 Price：$70 / $56*
門票已於城市售票網發售。
Tickets are now available at URBTIX.
ticket.urbtix.hk/internet/en_US/eventDetail/39114
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原格破裂 | 夏季 Elemental Dynamite | Summer
floatingprojectscollective.net/elemental-dynamite/
在此感激香港藝術發展局資助我們的研究計劃。
This research would not have been possible without the Hong Kong Arts Development Council’s full support.
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