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Sounds and sweet airs_an immersive synthetic sound ecology

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This project is an immersive synthetic sound ecology that features several mechanical ‘species’ of creatures that each generate sounds from everyday recycled materials. These creatures have different characteristics and are sensitive to different elements of the physical environment including temperature, humidity, light, sound and human movement. When distributed in a built environment, these creatures create an evolving soundscape that reflects the state of the space, forming a nature-like sound atmosphere that is gradually disappearing in our ever urbanised environments.

The work rethinks our sonic relationship to the built environment by tapping in to memories of our historically natural habitat and aims to evoke a more intimate sensory connection to the spaces around us with the subtle auditory cues generated in this spatial sound field. The modular and reconfigurable nature of the sound creatures not only allows them to adapt to different spaces and environmental characteristics but also to the different occupants. The design of the creatures affords the opportunity for occupants to customise and take part in the evolution of these sounds and to heighten awareness of the sonic potential of the discarded materials around us.

Credits:
Paul Bavister, Felix Faire, Fiona Zisch, Alexander Whitley, Luca Dellatorre, Ruairi Glynn, John Drever, Jessica In, Michael Wagner, George Adamopoulos, Dominik Zisch, Parker Heyl, B-Made Tutors, Tanya Boyarkina, Kongpyung Moon, Arum Winarso, Austera Premakara, Marina Ieridou, Shu Xin Wong, Peng Gao, Qianhua Fu, Shodai Kayama, Yuting Chen, Shuyue Ren, Wei-Lin Chang, Jocelyn Murray, Shiyu Wang, Hongling Nie, Jui-Hsuan Chung, Thanasis Balamatsis, Jing Fang.

Work completed on The Bartlett's Masters in Design for Performance & Interaction.
interactivearchitecture.org/dfpi

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