Moving of Being Moved (Excerpt)
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RT 10:54 minutes
Digital Video, 3D Animation, and Motion Capture
Stereo
Music:
The Birth of Venus
©1982 Musica International (dba of Ciani-Musica, Inc.) (ASCAP)
Composed and Performed by Suzanne Ciani.
From the album Seven Waves on the Seventh Wave label.
Soul Girl
©1973 20th Century
written by Joel Biel and Performed by Ahmad Jamal.
From the album Ahmad Jamal '73
All other music composed and performed by Sabine Gruffat
Text:
Trisha Brown "Accumulation"(1971)
Yvonne Rainer "No Manifesto" (1965)
Thomas F. DeFrantz in DeFrantz, Thomas F., and Anita Gonzalez, eds.
Black Performance Theory. Duke University Press, 2014.
IP Soft's Amelia, Human AI
Research studies of motion in relation to affect and mood.
Post-modern dance theory by Trisha Brown and Yvonne Rainer is put to work while a woman cleans the house in a motion capture suit. The everyday performance of domestic labor is teleported into a surreal game world where an emotionally responsive AI chatbot provides no answers.
In this gaming/ special effects world, movement has become a data set removed from the human body. What happens to movement when it is divorced from affect and feeling? What happens to dance without embodiment? How does mood and emotion influence movement?
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