In Rhythmic Fragments making of
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interactivearchitecture.org/lab-projects/in-rhythmic-fragments
In Rhythmic Fragments is a biophilic space for mindful engagement that translates mensurated motion into kinetic architectural boundaries through a diptych of linear and radial automatous fragments. Inspired by the rhythmic flows of liveliness observed at varied scales in the natural environment, the automata aim to engage our mind as a physics engine with contemplative content to evoke memory and inspire the sense of being mesmerized.
In a hyper-constructed future where untouched nature is lost, In Rhythmic Fragments aims to evoke our perception of, and connection to, the natural world through interaction with kinetic behaviour in future architectural spaces. As such, concepts of uniformity and randomness, unison and separation shape the rhythm of our own movement; from individuals to parts of a group navigating present space and reconstructions of space in the mind. Engagement with In Rhythmic Fragments primes this awareness of our movement through the interaction of waves falling in synchrony and asynchrony in their kinetic flow.
Researchers: Dalia Todary-Michael, Saria Ghaziri
Supervisors: Fiona Zisch, Alexander Whitley, Ruairi Glynn, Parker Heyl, Dominik Zisch, George Adamopoulous.
Special thanks: Anam Hasan, Sandra Ciampone, Michael Wagner, Reuben Jacob, Lucy Flanders, Lucas Pelizaro, Jocelyn Murray, Arijit Debnath, Mohammad Farzadnia, Wei-Lin Chang, Danniella Vizcarra, Claudia Cortes, Juan Cabrera, Dana Fakhoury, Serhan Ahmet Tekbas.
Work completed on The Bartlett's Masters in Design for Performance & Interaction. interactivearchitecture.org/dfpi
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