Extase (Excerpt) - Xavier Baert (France, 2006, 16mm, 10)
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Deux hommes faisant l’amour. La question de l’étreinte (qui englobe celles de la caresse, du regard, du baiser, de la pénétration, de la circulation des vitesses, de l’expression de l’extase…) donne au film un scénario de types de montage (déconnection, liens, rythme, séries enlaçantes, montage alterné…). Une logique à la fois figurative (faire l’amour, être amoureux, jouir), chorégraphique (caresser, enlacer, embrasser, lécher, pénétrer), et cinématographique (raccorder, rapprocher, déplacer, enlacer… : monter).
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Two men making love. The question of the embrace (which encompasses the caress, the look, the kiss, the penetration, the speed of movement, the expression of ecstasy…) give to the film a scenario of examples of editing (disconnection, links, rhythm, interlaced films, alternate editing…). A sometimes figurative logic (make love, to be loving, to enjoy), choreographic (to caress, to interlace, to kiss, to lick, to penetrate), and cinematographic ( to link, to bring together, to move, to embrace…:to mount).
cjcinema.org/pages/fiche.php?film=46
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