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Between two checkpoints, a choreography emerges. A constantly transforming spatial configuration dictates certain movements or restricts it. The question that arises afterwards, can a planned or organized movement change that space in return?
“Beyond a certain point, the movement itself changes” is a research-based project that concludes in a lecture and movement performance about the politics of space and movement.
The work explores the spatial dynamics of the Mathaf crossing and its continuous transformation during the Lebanese Civil War up to 1987, when an organized protest dismantled that border for one day.
Premiered at BIPOD (Beirut International Platform of Dance) - April 5th 2019
Funded by AFAC- Arab Fund for Arts and Culture
Co-produced by Citerne Beirut & BIPOD Festival with the support of Maqamat
Conceived and performed by Ghida Hachicho
In collaboration and sound by Shakeeb Abu Hamdan
Light design by Pol Seif
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