Sonoptic Parallels - The Infinitesimal - installation documentary video 2017
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Anne Katrine Senstad with a sound composition by C.C. Hennix.
SONOPTIC PARALLELS - THE INFINITESIMAL - TOPOLOGIES FOR A VERTICAL LIGHT, 2014.
Material: Multiple projections, sound, aroma, textiles, wind.
Exhibited at ISEA Dubai 2014 at Abu Dhabi Art Hub.
The Verticality of light and sound talk about the connection between elements, forces, realms of consciousness, universality of allness and the direct path of dialogue with the Universality of all being. As discourses found in Senstad's site specificity and in the void space, Senstad has developed an architecturally perceived light and color space of ephemeral yet sculptural vertical lines, drawing in space as we travel through it.
A space of devotion can historically be perceived as containing charged resonances of archetypal devotional hierarchy. In working with technology, the analogue and narration of the space simultaneously, Senstad’s employment of the veiled as states of ideology or reality, emphasizing the hidden, glazed unreality and the subjective, or the seductive, enigmatic and the mysterious. Sensually swaying fabrics, as if swaying in large windows to our inner worlds, engulf the public, yet display and enforce the minimal light structures as symptomatic of the sensorial and intimate, and project a command of territorial reclamation to experience in full aurally enforced by CC Hennix's magnetizing sound and vocal composition. She suggests a merged light and spatial narrative, simultaneously exalting the perception of the historically charged feminine space through suggestive veils conveying a psychological space while referencing the worldly omnipresence of cultural and religious dogmatic ideas.
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