eL-Hortobagyi_Yantra-fractal_1995

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Sangeet Hortopaedia Shrrnkala
eL-Hortobágyi: Yantra-fractal 1995
Depicting a sociological experience of Hungisthán
by „computed mémesis” technology
Gáyan Uttejak Studio,Budapest 1995.
http://guo.hu/?page_id=109

The „Sangeet Novus Sensus” has been composed for a „socio-etno” musicologist coming from the Eridanus constellation 200 years to our Earth. This demo was produced in 1995-96 in the former East-Europe as a reflection of the sociological experience having obtained in the late 20th century.
It’s technological basis have been a PCM morphologie using up the old FFT spectrum-analysis as an algorythm controller and a virtual overtone-synthesys software developed by me.
Here appears the music as a physiological sõma /„szleg”/ and seems to be one of the potential acoustical solutions of abandonment from the earthly reality and of the generating the social-Möbius consciousness based on my „computed mêmesis” technology.
The modular goa-electronics, the matrix topologie of tablã-mêms, synthesized carcinogen PCM sequences, the Hindusthãn style of the astral-hallucinogen orchestracion or the polyphonic application of the analyzed interstellar noise spectrum samples or the geometric fractal loops induced by Zipi programming and the Pythagorean methodology of the sound mixing - all have spun a mêmetic cobweb around the average phosphorescent acid-consciousness having been grow in consequence of the alienation trend in this century, so the „Sangeet Novus Sensus” appears as a refined „prãna of transocietê” of the millenium.
Later on when the humanoid consciousness transplanted into networks and the human race settled down into the stratosphear of Jupiter - in those days the original frequency algorythms of the music being converted into laser needle impulse were plugged in the synapse of the human neuron outcome and they were stimulated by thousands of 3D-16Hz b.p.m. impulse/minute - began a new era of the music history and the „hidden meaning” of „Sangeet Novus Sensus” became as an ethnological nightmare of the past.”

/L.H.’s memoires in „Technomusicology”, 2009/IV. pp. 109.-128. October edition, under title: „The Virtual Mêmesis of Music”./
http://www.guo.hu/___WORDPRESS/_Music/01_MainWorX/1997-Sangeet_Novus_Sensus_Guo_Guo-ang_CD-2006/GrFx/Booklet-Liner-Txt/Sangeet-Novus-Sensus-1996_Guo-ang_ENG.pdf

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