La Table Tournante (2015)
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Musique Concréte (2015) by Cecilia Arditto
7 Music-installations for tape, magic lanterns and sound objects
Adriana Montorfano, flute and sound objects
Cecilia Arditto, composition and magic lanterns
Eduardo Hernández Pérez, video
Daniel Nicolas, additional camera
Two performers manipulate sound-objects and slide-projectors in different spots of a dark room, producing performative-installations. The architecture of the space provides different sort of screens on the shape of columns, stairs, pipes, heating racks, walls, ceiling and the floor... every section of “Musique concrète” is played in a different spot.
Sound and visuals are made with low-tech paraphernalia in real time in a sort of live movie. Music, sound and space-design are organized in a score creating complete audiovisual scenes with simple means. One of the performers is in charge of the slide-projectors, the second one plays sound-objects and tapes.
#1. La table tournante (the pickup player) for tape, pickup player and 4 slide-projectors: is based on a conversation between Marshall Mc Luhan and Pierre Schaeffer for the French television in the 60’s talking about musique concrete, mass media, space visuel, l’era electric, among other topics important by then. We can hear only some fragments from the conversation through a mysterious translator who brings the conversation into French being the main actors afar passionate voices. The text is spread on simultaneous screens, filtered, split, broken.
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