Close, Closer (2020-21) excerpt 1
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Supported and funded by OCAT Institute
Drawing from the artist’s mother Wang Qingli’s 1993 expedition to Lugu Lake in Yunnan, China, the video overlays original drawings, archival images, historical paintings, texts and sounds to re-imagine Wang’s Lugu Lake Paintings (1994), which were later sold and unable to be found. Structured as an intimate conversation between the artist and their mother, the film weaves together narratives around intimacy, settler colonialism, matriarchy, tourism and art market. As the video tries to turn Wang's paintings from low res JEPGs to livingness, we also experience an uneasy interrogation of the complex notion of motherhood and motherland, both personal and collective.
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