No title 400

No title 400

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In the video work which remains without a title,the artist leaves it to the viewer to authentically experience the presented scene, which is also a revival ofone of his memories.For me, when I was a kid, the marsh was an inaccessible, strange, untested and forbidden place, also in the village where I grew up. Years later, I confront it,re-examine and revive it.A filter of strong red colour was applied to the recorded moments of water movement, which in symbolic terms can denote different interpretations. In terms of emotions, it represents deep, intense, strong feelings which the artist associates with his personal drama, leaving room for the viewer to interpret the red,almost abstract scene.

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